A line of discussion began in the group after Linda L. posted a screenshot of some caribou crossing the road in Finland - In all these miles of driving and recording by the Street View car, had it ever hit anything? Street View Roadkill? In theory you'd be able to see the entire story: a poor creature running into the road in front of the car and then left on the road out the other side. I had never seen anything, had others?
I had a friend once who claimed it was his special ability to be able to tell exactly when it would start raining. Like he’d look up at the sky and say “in 90 minutes, it will be raining”. This is not the most useful of talents in the age of meteorology but nevertheless I thought of him as I read this study, appearing in JAMA Internal Medicine, which found that ED visits for respiratory complaints spiked before a thunderstorm.
“Every day, in every way, I am getting better and better.”
Pearson, the world’s learning company, today released the results of its second Global Learner Survey, an annual study capturing the voice of learners worldwide. The findings show learners believe there is little likelihood of ever returning to the pre-COVID world of fully in-person work and learning, with more than 75% saying the pandemic has fundamentally changed education as we know it. While learners come to terms with this new reality, they also are pushing for schools and government to address inequity and rushing to gather the digital skills that will help them adapt to the new economy.
Theirtube is a YouTube filter bubble simulator that provides a look into how videos are recommended on other people’s YouTube. Users can experience how the YouTube home page would look for six different personas. Each persona simulates the viewing environment of real YouTube users who experienced being inside a recommendation bubble through recreating a YouTube account with a similar viewing history. TheirTube shows how YouTube’s recommendations can drastically shape someone’s experience on the platform and, as a result, shape their worldview.
It seems that, with a representative sample, when you throw grit into a regression along with measures of intelligence, grit just explains very little on its own. Grit just doesn’t contribute much at all to educational outcomes and has limited application in job-market success. In fact intelligence “contributes 48–90 times more than grit to educational success.” 1 More study is needed etc etc and I’ll wait for a good metastudy but still, it really isn’t looking good.
But I have been a teacher for 20 years, despite not yet turning 40, and every day it became clearer and clearer that not all students had the same gifts. Yes, of course, some of this variation is environmental. Of course it’s complicated. Of course I’ll never be able to understand all the science. But the realities of teaching and of having grown up in a school system where some students were so similar in so many ways but had such vastly different outcomes just wore me down every day. And then I discovered the behavioral genetics research and its description of how, for example, adopted siblings growing up in the same house and family would go on to totally different academic outcomes. I did not celebrate. I did give in. Because life’s not fair, and neither is school. And pretending like everyone has an equal shot at succeeding in either is the greatest cruelty I know.
Many ingredients combine to give U.S. soft power its strength and reach, but entertainment and culture have always been central to the mix. Film and television have shaped how the world sees the United States—and how it perceives the country’s adversaries. Yet that unique advantage seems to be slipping away. When it comes to some of the great questions of global power politics today, Hollywood has become remarkably timid. On some issues, it has gone silent altogether.
The most glaring example is the growing wariness of U.S. studios to do anything that might imperil their standing with the Chinese government. China’s box office is as large as the American one, and entertainment is above all a business. So Hollywood sanitizes or censors topics that Beijing doesn’t like. But the phenomenon is not limited to China, nor is it all about revenue. Studios, writers, and producers increasingly fear they will be hacked or harmed if they portray any foreign autocrats in a negative light, be it Russian President Vladimir Putin or North Korean dictator Kim Jong Un.
Today, audiences can take their pick: there is no shortage of jingoistic U.S. films or televisions series, nor of material that challenges pro-American foreign policy orthodoxies. When it comes to how other great powers are portrayed, however, some hot-button topics are now off limits. American films dealing with the history and people of Tibet, a popular theme in the 1990s, have become a rare sight. There has never been a Hollywood feature film about the dramatic—and horrific—massacre in Tiananmen Square in 1989. The 2012 remake of Red Dawn initially centered on a Chinese invasion in the United States but was later rewritten to make North Korea the aggressor instead of China. And Variety called the 2014 blockbuster Transformers: Age of Extinction “a splendidly patriotic film, if you happen to be Chinese.”
Nothing has happened to change the fact that after ten years, riders have always been fundamentally unwilling to pay prices that would cover Uber’s actual costs, that Uber was always less efficient than the traditional taxis it drove out of business, that its only “efficiency improvement” was to push driver compensation to minimum wage levels, and that its growth depended entirely on unsustainable predatory subsidies.
There needs to be discussion about how to best restructure airlines, tourist and entertainment industries because they have contributed to overall economic welfare in the past, and clearly can in the future. Uber has only served to reduce overall economic welfare. Society has nothing to gain from “saving” Uber.
When James Baldwin visited San Francisco in 1963 to film a documentary about U.S. racism, he encountered neighborhoods in turmoil: the city was seizing properties through eminent domain, razing them, and turning them over to private developers. Part of a massive, federal urban renewal program, nearly 5,000 families—no fewer than 20,000 residents, the majority of them people of color—were being displaced from rental homes, private property, and businesses in the Western Addition neighborhoods. Baldwin spoke to a Black teenager who had just lost his home and watched as his neighborhood was destroyed. He told Baldwin: “I’ve got no country. I’ve got no flag.” Soon after, Baldwin would say: “I couldn’t say you do. I don’t have any evidence to prove that he does.”